![]() ![]() Given the youth of the FE system as a whole and the pace at which new lenses are being announced, the addition of at least some of these categories in the near future appears very likely. In the future, additional categories such as fisheye lenses and super telephoto primes may be added, as lenses meeting the corresponding criteria are released. ![]() These categories were created based on the current available lens lineup for the system. For these reasons, adapted lenses are also outside the scope of this article.īesides native FE lenses, E-mount cameras are compatible with a wide array of DSLR lenses via the use of adapters, but those are outside the scope of this guide.įinally, the guide is structured in several categories, arranged by focal length and/or primary application. There’s also great variation in lens behavior depending on the particular lens + adapter + camera combination. Using adapted lenses, however, presents its own set of issues, not the least of which is unreliability. This includes all of Canon’s EF lenses and Sony’s own line of A-mount lenses. The E-mount system is famous because, thanks to its short flange distance, its cameras can use almost every DSLR lens in existence with adapters. Thirdly, the guide only considers native E-mount lenses. To avoid confusion, Full Frame E-mount lenses are commonly referred to as FE lenses, and the Full Frame E-mount system as the FE system. Sony also makes APS-C E-mount lenses and cameras, but those are outside the scope of this article. Secondly, the guide focuses exclusively on Full Frame lenses. While there are certainly other lenses compatible with the system that may be more affordable, every single one of the lenses included here can be thought of as best-in-class, and is therefore guaranteed to hold its value and perform flawlessly for many years to come. Wishlist for upcoming lenses and/or existing rumorsįirst and foremost, this guide focuses specifically on lenses that can be considered great long-term investments. Sony Zeiss Vario-Tessar T* FE 16–35mm f/4 ZA OSSĪ brief aside on the Sony Zeiss 24-70mm f/4 lens Click/tap on each link to go to the corresponding section. ![]() To help make the system a bit more approachable from the outside, in this guide we’ll go over the best pieces of glass for the Full Frame E-mount system.ĭue to the length of this guide, here’s a handy table of contents. With so many new and shiny things to choose from, it can sometimes be tough to make the right choice for your needs. And make no mistake, some of these are so good it’s very hard to tell them apart from 1st-party lenses. ![]() Best of all, that number doesn’t even include native lenses from 3rd-party manufacturers like Samyang and Voigtlander. The two companies have a long-standing relationship, and have combined efforts to release more than 30 Full Frame lenses for the E-mount system to date. In practical terms, the Full Frame E-mount system can be considered a joint venture between Sony and Zeiss. It’s been a few years in the making, but with such great cameras and lenses, it looks like the Full Frame E-mount system is finally ready to sit at the grown-ups’ table - and if the rumors are any indication, there’s plenty more to come. Luckily, in just a few years, Sony has done a terrific job of covering all of the fundamental focal lengths with excellent offerings and they’re now expanding the lineup with higher-end, more specialized tools like ultra-wide angle and super long telephoto zooms. Especially when your stated goal is as ambitious as capturing the high-end of the professional market, where only the very best will do. No mater how many resources you throw at the problem, it takes time to build a new camera system from scratch. In 2017, Sony took things to a whole different level with the release of the Sony Alpha α9, a high-end professional camera aimed straight at Canon and Nikon’s last remanining stronghold in the market: high-speed action and sports photography.Īs great as Sony’s camera bodies are, however, the true value of a system is measured by its lenses. Since then, the company has relentlessly built on the α7’s success, releasing a steady stream of camera bodies in both Full Frame and APS-C flavors. Back in late 2013, Sony surprised the photography world with the release of the Sony Alpha α7, a remarkable interchangeable lens mirrorless camera with a top-of-the-line, 24-Megapixel Full Frame sensor. ![]()
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